Get Published Weekly Roundup: October 16, 2017

Book Barcode By Thepwnco [CC BY-SA 3.0 (], via Wikimedia Commons. Change made: from color to black and white.
It finally feels like fall here in Charlottesville. Chilly night air, a glass of something bracing, and a good book are exactly what the doctor ordered. This week’s roundup covers agent & agency news, submission deadlines, Manuscript Wishlist highlights, and food for thought at the end.
We’d love to hear your feedback. Please let us know what you think in the comments and if there are certain types of information you would like to see in the Roundup. Also feel free to tweet at us (@freelancingrads) with any ideas or questions. Have a great writing week!

Agent and Agency News

A promotion (congrats!), and a new hire

Riddhi Kamal Parekh has joined Laura Dail as International Rights Manager and Agent.


Fiction: Picture Books, Middle Grade; Young Adult; open to considering adult Commercial 

Nonfiction: Children’s

Riddhi enjoys universal, coming-of-age stories that tackle issues of identity as well as high-stakes fiction with unexpected twists. She is always on the lookout for a good pun and is particularly drawn to whimsical middle-grade fiction, picture books, and chapter books.”

Riddhi is accepting queries via email, at For submission guidelines, click here.

Sarah Younger has been promoted to Senior Agent at Nancy Yost Literary.


Fiction: Romance (like, all of it, yo); Women’s 

Nonfiction: Select

Sarah cherishes her rural southern roots and particularly enjoys stories with a supporting cast of animal characters: horses, dogs, cats; essentially all pets furry and friendly.”

Sarah is accepting queries via QueryManager here.  Click here for the agency’s submission guidelines.

Submission Deadlines

Writers, you've got a week or two…

Author Mentor Match Round 3—Submission window open October 19th-24th (Semiannual—opportunity to be mentored)

What: Unagented, aspiring YA writers receive mentoring by those further along in the game. Applicants should have a complete manuscript and be willing to take feedback.

To Submit: Submission via email at For rules and submission instructions click here.

Adventure Cyclist Nonfiction bicycling stories—Submissions due October 31st (Magazine—Payment, Publication)

What: Both feature-length stories and 1,200-1,500 word excursions. Proposals first. $.30-$.50/word.

To Submit: Submission via Submittable. For more information, click here.

What Agents Want

Crime and kids' books, Part II

Kurestin Armada, Associate Agent at P.S. Literary
Kurestin wants The Italian Job, maybe for kids: “Heist/con story, YA or adult! Preferably with an interesting ensemble cast & friendship focus.” Source Tweet


Fiction: Upmarket and Commercial; Magic Realism; Science Fiction; Fantasy; Historical; LGBTQ (any genre); Picture Books; Middle Grade; Young Adult; Graphic Novels; Romance

Nonfiction: Design; Cooking; Pop Psychology; Narrative; Photography; Nature; Science

How to submit: Kurestin is accepting submissions via email at query@psliterary.comClick here for submission guidelines.

Follow P.S. Literary on Twitter @PSLiterary, and Kurestin @kurestinarmada.

Adria Goetz, Assistant Literary Manager at Martin Literary
Adria is looking for Shel Silverstein’s classic by way of Portlandia: “I’d love a PB set in the Pacific Northwest. Perhaps a lyrical ode to our trees?” Source Tweet


Fiction: Picture Books; Middle Grade; Young Adult; anything Christian

Nonfiction: Lifestyle; Christian Living

“Adria looks for books that delight readers, that help inspire wonder and imagination, that foster deep empathy and compassion for our fellow human beings.”

How to submit: Adria is accepting queries via email at Adria@MartinLiteraryManagement.comClick here to read the full submissions guidelines on the company website.

Follow Adria on Twitter @adriamgoetz.

Ejusdem Generis

In our previous edition of the Roundup, we asked why agents who are closed to queries still tweet their #MSWLs as if someone who saw those Tweets would have a chance to run their work by said agents. At the heart of why this is frustrating is the issue of accessibility. Agents are the barriers (or keys, depending on how lucky you are) to entry for editors at publishing houses, who are the barriers to entry for your work to be seen by tired people in airports throughout the world looking for something to take their mind off the five-hour layover they’re 17 minutes into. (If you’re fortunate enough to be at O’Hare, however, ignore the pulp in the Hudson News and get thee to a Tortas Fronterathose tortas are riquísimas!) We all want the golden ticket, the backstage pass, the VIP seating, especially when that ticket means a chance to show our life’s work to someone who, just maybe, will understand it and champion it.

But the thing is, while getting access in the literary world is difficult for anyone, for some people there are barriers to entry that are unseen. Last week, LitHub published an essay written by Chris Jackson, the publisher and editor-in-chief at One World. He discusses diversity in publishing, or the lack thereof, by recounting his own entry into the publishing world, his experience teaching publishing courses at CCNY and Columbia, and his relationships with Eddie Huang and Ta-Nehisi Coates. Particularly with Coates, Jackson wonders whether someone else (someone who didn’t share TNC’s background) would have been able to build the kind of trust needed to shepherd a work like the National Book Award-winning Between the World and Me into being. Check it out here.

This is where the metaphor of the backstage pass doesn’t work. When the barrier to entry is too homogeneous, sometimes it’s the rock stars who don’t get in.

Grad Student Freelancers (GSF) is dedicated to helping authors take care of the details of the publication process. Part of the process includes sifting through huge amounts of information to find important news, events, and tips that can give you an edge in the publication process. Every week GSF will provide three lists of curated information focused on helping writers get published. Our goal is to gather what’s important from the web in the past week, so you can focus more on your writing.  

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